Vinyl Kid ends TODAY

Heads up - today is the last day that my t-shirt design Vinyl Kid will be available to order. After that, it's gone! Hurry! Hurry! (No pressure, but HURRY.) For show & tell, here's the rough sketch of Vinyl Kid:    

After that, I did final pencil lines using regular graphite pencil and a Prismacolor black pencil, which has a thicker, blacker line:



And here's the final with color added:

 

End of day today! Go and get it!

Vinyl Kid T-shirt Design

Oh yay! My very first t-shirt design for Shirt.Woot is now available! Titled, Vinyl Kid, it's part of a special sale on the site called Jukebox Heroes, featuring all music-related designs. The shirt will be available for ONE WEEK ONLY! Sale ends Sunday, May 20th.

If you love vinyl (and I know you do, since you're reading this blog), then go and buy a shirt (or 2, or 3) for yourself - or for your favorite crate-digger.

Coast to Coast, Baby!

I guess you could say that it's a soft release, but I'll have you know that my two newest books are now out! Behold, the covers:

NEW YORK, BABY!
SAN FRANCISCO, BABY!
One of the coolest things about the social networking aspect of having books released are the responses from friends who've spotted your books in storefronts or bookstores and then send you pics of the books. Checkit:

New York, Baby! spotted in a Brooklyn window by my friend Justin Lee:

 

San Francisco, Baby! spotted in a San Francisco window by my friend Bill Robinson: 

What's even better is that these photos are from each side of the country. Coast to coast, baby. I love it! Big ups to both of you, Justin and Bill, for your book-spotting ways.

Well, hey - if you see a City, Baby! book in your store, take a pic of it and share it with me! I might have to start up a Facebook page for the books and share the photos with others "out there."

(Note to self: email Chronicle Books about this, pronto.)

On the Eve of Teaching

I am sitting here in a mad scramble to finish up these notes for my very first class I'll be teaching tomorrow. Yes, that's correct. I'll be teaching a class on children's book illustration for Portland State University for the second half of this semester. I'm scrambling to get these notes together, to make sure I don't sound like an idiot and what am I doing? Posting something for the blog? I know, it doesn't make sense, but I don't care. I need a little bit of a break from all this note-taking and image-gathering, just to gather my thoughts somehow. It's been a long time coming, some folks have said to me. I agree. To a point. I've always enjoyed talking to students about what I do (I've done several appearances in the past couple of years wherein I've talked about my career, shown a few tricks of the trade & how I work, and showcased some of my vintage book collection), but it's an entirely different thing to actually teach. The more I think about it, the more nervous I get.

I hope I'm up for it. I guess I better be, huh? After all, it's only the potential careers of 11 some odd art & design students that're on the line here, right?

Many thanks (or blame) to Kate Bingaman Burt for roping me into doing this. She & her co-horts got a good thing going on at the Graphic Design department at PSU. Looking forward to being a part of the mix.

Cool 45 covers

When Andrea & I vacationed in Italy back in 1999, we checked out this cool flea market in Rome with lots of fun old stuff. Found this 45 record (above) in a record bin. Love the design. I've always cherished it. One of these days I'm gonna listen to this record. It's imperative that I do.

Fun Characters from Pageant

Here are some fun characters by a mysterious "Greenwald R." They're from Pageant Magazine, a smaller, "digest" size magazine for the "gentleman." Bordering on the cheesecake from time to time, the magazine actually has an interesting connection to Mad Magazine. Well, I wish I knew more about "Greenwald R." I've seen similar work done by this artist, but never have been able to find anything more about him/her.

New Look!

Well, would you look at that! A new look for this here blog. It's as if someone turned on the lights and opened up the curtains to let the sun shine in. Lots has happened since 2008, which was the last time I redesigned The Ward-O-Matic. I was working off a tweaked and re-tweaked Blogger template that I was sure wouldn't be a burden for me in the long run. But alas, Blogger introduced the "New Blogger" interface with a vast assortment of bells and whistles to design your own look for your blog. I refused to budge because I liked how my blog looked at the time. I mean, I didn't mind that the images I posted for each post were only 400 pixels wide. That is, until Andrea wanted to cook up a new look for her blog. She wanted big images and a simple, clean look. After many weeks of tinkering we finally got it looking like the way she had envisioned and I must say, I was impressed by how easy it was to change things around in the New Blogger interface. And I loved how Andrea's images filled the screen. Whenever I'd visit my own blog, I'd realize just how constricted and "small" everything was on it. So, here we are. A new banner (which I'll probably change again soon), white background, and simpler layout. After the switchover, I lost all the links and various what-nots over in the right column, but I'll put some things back in once I get the chance. In the meantime, enjoy the bigger, wider images here on The Ward-O-Matic. Perfect for all you image-hungry readers who'll want to share on your various Tumblrs and/or Pinterest boards.

 Which, by the way, I have both:

The Ward-O-Matic Tumblr
My Pinterest

Old & New Project

"Dropped Through The Ceiling" - my submission for the very cool Old & New Project. Different interpretations of various passages from the Bible, from a wide variety of artists (Christian, agnostic, atheist, etc.), Old & New Project has set it up so that proceeds from the sales of the prints will go to the non-profit organization Blood: Water Mission.

Old & New Project was conceived by designers Jim LePage and Troy Deshano. I'm honored to be a part of this fine project. Be sure to check out the other designs.

Henri's Walk To Paris

Henri's Walk To Paris, Illustrations © 1962, 2012 by Saul Bass and text by Leonore Klein, Universe Publishing, 2012.
A full 50 years later, Bass's only children's book that he illustrated is finally being reissued after being a sort of white whale for many a book collector and designer. I never owned an original printing of the book, but thumbed through a copy of one owned by a good friend of mine. (Is that the equivalent of having a girlfriend in Canada that your friends never seem to meet in person?)
As you might've expected, it's heavy on graphic design brilliance. Bass uses the layout of each spread to evoke a particular mood - whether it's filled with foliage from some unknown source (I can't imagine Bass doing the actual drawings of the trees and bushes in the background here), or with a single sentence.
Bass utilizes repetition a lot in the book to signify the bustling of the city: trees, churches, buses...
But one thing stuck out in my mind as I read through the book several times: there are no people. Well, there are "characters," but Bass doesn't actually depict a real human being aside from a crowd featuring circles with hats, a few well-placed arms and feet, and a couple of cropped legs.
Saul Bass does what he's good at: he simplifies elements to their basic shapes and symbols. What we know to be a little boy is simply an arm and two legs. He allows the story to fill in the blanks when it comes to the true character of Henri.
When he's given the chance to illustrate people in the little town where Henri lives, Bass resorts to depicting them with WORDS! He doesn't even draw them as shapes with features, just letters with hats. To the graphic designer, this would seem to be a brilliant move on the illustrator's part to showcase people in a children's picture book. Bass is calling the shots here. It's as if he's saying to the reader, "I know you know what these people are and what they do. You don't need to see their faces."
And for that, I applaud him. But to be quite frank, the book feels a bit stark because of this fact. Not always, mind you. But for some spreads there's a certain human element missing that I feel is needed. The layouts and text placement are amazing to look at, (and the designer part of me totally geeks out on these particular things), but I felt a certain detachment from some of the spreads. It seems to me that since Bass did not normally draw characters (not his strong suit), he saw this book as a challenge. How was he going to illustrate the story of of boy named Henri and his walk to the busy city of Paris?
Of course, this is the illustrator in me saying all this. As a Bass fan, I WANT to see Bass draw people. I want to see how he would've characterized the titular character, the townspeople, and Henri's parents. However as a Bass fan, there's a part of me that LOVED how he simplified the characters to just words and letters. A fun shortcut, if you will. You can imagine that yes, I'm on the fence with this book, but I'm probably over-thinking it. Okay, I definitely am. But oh, well. The great thing is that now anyone will be able to buy this book to see for themselves, and not just a book collector with $200 in his/her pocket. Universe has done a wonderful job of reissuing the book with rich color printed on nice quality paper stock. They did a great job in matching the colors, I must say. All in all, even with all my qualms about the lack of personality and warmth of Bass's characters, the story itself carries the book for any reader.

Plus, it'll look great on your coffee table.

Buy the book: Henri's Walk To Paris.
I shot more photos of the book. See the entire Flickr set here.

Universe also reissue M. Sasek's This Is... Series. Be sure to pick up the latest: This Is Munich. (I'll do a review of that one soon.)

Valentines Stuff

While I'm still working on this lengthy (oh boy) post about working on children's books, thought I'd share with you some recent stuff I did for a few friends of mine for Valentines Day. (Click on each to view a bit larger in Flickr.)
First one was a commission for my pals Martin & Carrie Gee for their anniversary. They're both really into sharks and rays (well, who isn't?) and Carrie told me that it would be awesome if I could put their 2 cats in the piece somehow. Done! See below:
The second piece I did for my agent Jennifer Laughran. Each year she sends out a Valentines Day postcard to her friends and colleagues and asked me to illustrate this year's card. I was honored! Plus, I'm a sucker for Valentines Day anyway, especially if beatniks are involved:
On a more personal note, I thought I'd give my own Valentine a special message this year. Click here to see just how much love I gots for my woman. ;)

Andrea Brown Holiday Card: Step by Step

I thought for sure I had shared this here, but apparently the craziness of the holidays took its toll on me and I completely forgot. Better now than never, right? Well, I had the wonderful opportunity to illustrate the annual holiday card for the Andrea Brown Literary Agency. My agent, Jennifer, is of course, one of the agents and she asked if I could offer my talents for such an honor. I immediately said yes. Here's a little step-by-step of my process working on the card (click on each to view larger in Flickr):

Here are my first initial ideas put together and presented to the powers that be at the agency. Idea A was too similar to an earlier card that was done several years ago (and I think that I might've remembered my agent mentioning the idea to me and just had it in the back of my mind - by the way, the agency is based out of San Francisco, hence the 'painted lady' reference). Idea B would've been too involved, considering that our time was of the essence at the time (trying to get it out before the holidays, of course!). They went for Idea C, which I thought would work best anyway.

After getting all the reference photos of the agents together and doing some rough sketching in my sketchbook, I then scanned what I thought were the best rendition of each agent and put them together to see how it would all look. As you can see, the background was a separate drawing and I just shifted and moved around the faces until I liked what I saw.

After getting the composition down and all the agents in place, I drew over the rough pencil sketches on my Cintiq a more refined sketch - this was then printed out in greyscale and I drew over that (on my animation disc) the final pencil lines for each of the agents. They are all drawn separately, in order for me to have the freedom of moving them around, just in case.

If you look at the final, you can see that I changed the hair for two of the agents, as they had since changed their hairstyles. No biggie!

And violá! The end result:


I had such a great time working on this card! It's always a pleasure for me to do something Christmas-y or wintry - the ribbon-like lettering was really fun for me to work on as well.

Hope you enjoyed this process post! If you have any questions as to how I work or my thoughts on what I did here, feel free to ask away in the comments.

Merry Christmas

I've posted this several Christmases before and it's always worth posting again: The First Noel, a small Golden Book illustrated by the brilliant husband-wife team of Alice and Martin Provensen, 1959.

You can view the book in its entirety HERE.













Here's to a very Merry Christmas to you and your family.

Peace,
Ward

Peeping Covers

Well, would you look at this! How about a peep at the covers for the two new books that I illustrated for Chronicle Books to be released next May 2012? Yes, you read that right - not one, but TWO new books:


NEW YORK, BABY!


SAN FRANCISCO, BABY!

This is the start of a fun series aimed at the traveling baby and/or toddler - a way of looking at each of these iconic cities through their eyes. I had such a fun time working on these books! Hope you can see my enthusiasm through my artwork.

Check out the first mention of the books by Elizabeth Bird of A Fuse #8 Production on the SLJ blog the other day: Librarian Preview: Chronicle Books (Spring/Summer 2012)

Yay!

New Sketches from New Books

Well, hello there. I'm finally poking my head out from the long sabbatical I've taken to share some sketches with you. Character sketches done for two books that'll be released by Chronicle Books in May 2012. I'm quite happy with the final results - the final designs have some slight changes made to the eyes. The books are the beginning of what we hope will be a continuing series focusing on young kids (toddlers or younger). It's been a long road from start to completion, but the final results I think are wonderful. Very happy with everything (and I just so happened to see the color proofs earlier this week!). So, take a gander! (Click on each to view larger.)

Saul Bass's Henri's Walk to Paris to be reissued in February

Okay, so this is big news to those of us who collect neat old children's books: Universe (the wonderful imprint of Rizzoli who reissue the marvelous "This Is..." series by M. Sasek) are reissuing one of the rarest children's books out there (well, at least in the circles I hang out in): Henri's Walk to Paris by Leonore Klein and illustrated by designer Saul Bass. As far as we know, it's Bass's only venture into children's books, and it's a doozy: incredible, bold colors, with glorious use of type and design. The best way to check out the book is by visiting Grain Edit, from a post in 2007:










(All images via Grain Edit.)

Based on how Universe has printed up the Sasek series, I have no worries in quality and color for Henri's Walk. Looking forward to ordering it come February 2012!